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24.07.2013, 15:21
Thus, the artist, creating his work, gives us with the door in this invisible flow of information. That's why all the people in the concert hall, listening to music, take this to every one by because he is endless flow of information, and a work of art - just a starting point. In art galleries collected a lot of paintings, each of which affects the neighboring and can enhance or suppress the information, so each sheet must be separate with appropriate lighting, appropriate air temperature correctly picked the music for it, with the connection of the resonance of the chain while viewing the picture: mineral, plant, animal, constellation, planet. Only under such conditions by boosting energy can work to return to the invisible paotok and we obtain the required information from it.

Creativity, according to the ancients, always bordering on insanity. The ancient Greeks considered sacred epilepsy disease suffered by Socrates, Michelangelo, Dostoyevsky. Genius at birth already has the device by means of which he can go invisible information space. The most important thing - to be able to leave it to the Earth. That's why nekotoroye talented artists repeatedly went crazy: Gogol, Mussorgsky, Vrubel, Van Gogh. Mentally ill man, too, comes in invisible space, reads the information out there, but in contrast to the creative people, it can not materialize. And as the people around you do not see what he sees, it is isolated, as retired from the social environment. The problem of the future of psychiatry - the return of the unit to develop such a "astronaut" on the ground.

 

-Work with the pictures.
The artist begins to paint a picture with a particular point on the canvas. You need to find that point and start to deploy the picture in space, going from major to minor details, never taking his eyes from the canvas. Then start to move on contrasts of the Elements: Earth, Water, bottom, top, right to left and vice versa. Then move on from the near-term to long-range deep into the details of the picture. Then just prischurte eyes and spread the visual axis. You have a stereoscopic image of the painting. Closing my eyes, try to reach through the ages and enter deep into the fabric. You should see a slight dizziness and feeling-traffic ahead, and here you are in the center of the picture, as if hovering in the air. Look at the sides beyond the picture and you will see a continuation of the landscape. If you work in a group, compare experiences. People with the same information need to work together to identify the objective impressions.
In later lessons, try connecting to the picture corresponding to its mood music. Low sounds of music correspond to the lower part of the picture, the high-top. The transition from lower to higher can be used for viewing perspective. You can pick up a picture of the music landscape. For this purpose, suitable Debussy. Seascapes are viewed while listening to "Scheherazade" by Rimsky-Korsakov. All this is given to you as an introduction. During the course you will find your technique. Before working with the painting as simulators, work with the striped stones, about the same outline as the paintings. Find the main detail of the picture, then go deep into the stone from the more clear details to the less clear, from inside to outside and vice versa. Here you can get the impression that the stone begins to dissolve you. As he pulled out of the ground and its environment, then you will feel as if the continuation of the breed. Check the quality of energy: heat, cold, tingling, verify their impressions with the impressions of others. After the small stones pass on the large stone paintings. For this purpose it is suitable svego marble. When working with pictures and stones to find the optimal distance from which you can get the best effect, choose the music volume and the temperature of the room lighting. Everything has to merge with each other in harmony, complementing and enhancing the experience. Trust your feelings. Choose from all the most vivid, memorable, and use them in the future. They will be the thread of Ariadne in the ocean of your experience.Thus, the artist, creating his work, gives us with the door in this invisible flow of information. That's why all the people in the concert hall, listening to music, take this to every one by because he is endless flow of information, and a work of art - just a starting point. In art galleries collected a lot of paintings, each of which affects the neighboring and can enhance or suppress the information, so each sheet must be separate with appropriate lighting, appropriate air temperature correctly picked the music for it, with the connection of the resonance of the chain while viewing the picture: mineral, plant, animal, constellation, planet. Only under such conditions by boosting energy can work to return to the invisible paotok and we obtain the required information from it.

Creativity, according to the ancients, always bordering on insanity. The ancient Greeks considered sacred epilepsy disease suffered by Socrates, Michelangelo, Dostoyevsky. Genius at birth already has the device by means of which he can go invisible information space. The most important thing - to be able to leave it to the Earth. That's why nekotoroye talented artists repeatedly went crazy: Gogol, Mussorgsky, Vrubel, Van Gogh. Mentally ill man, too, comes in invisible space, reads the information out there, but in contrast to the creative people, it can not materialize. And as the people around you do not see what he sees, it is isolated, as retired from the social environment. The problem of the future of psychiatry - the return of the unit to develop such a "astronaut" on the ground.

 

-Work with the pictures.
The artist begins to paint a picture with a particular point on the canvas. You need to find that point and start to deploy the picture in space, going from major to minor details, never taking his eyes from the canvas. Then start to move on contrasts of the Elements: Earth, Water, bottom, top, right to left and vice versa. Then move on from the near-term to long-range deep into the details of the picture. Then just prischurte eyes and spread the visual axis. You have a stereoscopic image of the painting. Closing my eyes, try to reach through the ages and enter deep into the fabric. You should see a slight dizziness and feeling-traffic ahead, and here you are in the center of the picture, as if hovering in the air. Look at the sides beyond the picture and you will see a continuation of the landscape. If you work in a group, compare experiences. People with the same information need to work together to identify the objective impressions.
In later lessons, try connecting to the picture corresponding to its mood music. Low sounds of music correspond to the lower part of the picture, the high-top. The transition from lower to higher can be used for viewing perspective. You can pick up a picture of the music landscape. For this purpose, suitable Debussy. Seascapes are viewed while listening to "Scheherazade" by Rimsky-Korsakov. All this is given to you as an introduction. During the course you will find your technique. Before working with the painting as simulators, work with the striped stones, about the same outline as the paintings. Find the main detail of the picture, then go deep into the stone from the more clear details to the less clear, from inside to outside and vice versa. Here you can get the impression that the stone begins to dissolve you. As he pulled out of the ground and its environment, then you will feel as if the continuation of the breed. Check the quality of energy: heat, cold, tingling, verify their impressions with the impressions of others. After the small stones pass on the large stone paintings. For this purpose it is suitable svego marble. When working with pictures and stones to find the optimal distance from which you can get the best effect, choose the music volume and the temperature of the room lighting. Everything has to merge with each other in harmony, complementing and enhancing the experience. Trust your feelings. Choose from all the most vivid, memorable, and use them in the future. They will be the thread of Ariadne in the ocean of your experience.
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